August 7, 2023
Photo: Hugo Juarez (Juarez Photography, Heavy Defender).

Southern Californian melodic death shredders EXMORTUS have revealed the final single, Storm Of Strings, ahead of the highly anticipated release of their 6th studio album, Necrophony, that’s out August 25th from Nuclear Blast Records. On their latest song, EXMORTUS puts their signature shred into a cover of legendary new age artist Yanni’s song The Storm, which was based off of the great Baroque composer Antonio Vivaldi’s concertos The Four Seasons.

Commenting on the single, guitarist/vocalist Conan says: “We’ve been meaning to cover this piece for a long time and now it feels right for Necrophony. Honoring two artists at once, we give you a heavy metal shred version of Yanni‘s arrangement of Vivaldi’s Summer Concerto. Enjoy the groove, enjoy the passion!”

In celebration of Necrophony’s debut, EXMORTUS will invade Alhambra, California’s iconic metal roadhouse Grill ‘Em All for an album release party on Friday, August 25th.

EXMORTUS Tour Dates:

Sept 17 – Anaheim, CA – Metal Injection Festival @ House of Blues
Nov 18 – Los Angeles, CA – 1720 (w/Vio-Lence, Bonded By Blood)

Necrophony

  1. Masquerade
  2. Mask of Red Death
  3. Oathbreaker
  4. Mind of Metal
  5. Storm of Strings
  6. Test of Time
  7. Darkest of Knights
  8. Prophecy
  9. Children of the Night
  10. Beyond the Grave
  11. Overture
  12. Necrophony
  13. Moonchild

About EXMORTUS:

Los Angeles-based neo-classical extreme metal mavens Exmortus return on new album, Necrophony. Four years in the making, the group’s sixth album offers nothing but savage rebirth and fierce renewal. Necrophony marks a significant turning point—one foretold by the Legions of the Undead EP in 2019—for the Angelenos. Not only have they emerged from the throes of the pandemic stronger, faster and crazier, they’ve signed on to global metal powerhouse Nuclear Blast. The passion and fury of lead-off single Oathbreaker is merely the tip of Exmortus‘ darkest tower. Follow-on singles like the powerful Mind of Metal and Storm of Strings, a whistle-stop, no-joke cover of Greek-American composer Yanni interpreting Vivaldi‘s The Four Seasons, add greatly to Exmortus‘ masterly oeuvre.

Exmortus was founded in 2002. The group issued a bevy of well-received demos and EPs that culminated in debut In Hatred’s Flame in 2008. Since then, Gonzalez—now flanked by specialists Phillip Nuñez (bass), Chase Becker (guitars, Warbringer), and Adrian Aguilar (drums, Vio-lence)—has gone on to release four more fan-favorite full-lengths. Exmortus have toured with Amon Amarth, Obituary, Death Angel, and more, playing gigs in North America and Europe. The group’s highlights have also included a stint with thrash legends Exodus at industry lighthouse event NAMM and a coveted spot on the 70000 Tons of Metal cruise. Necrophony, a portmanteau of “necro” and “phony” (or “dead sounds”), is Exmortus bigger, badder and wickedly restless.

Written from a fresh slate, Necrophony‘s origins can be traced to preludes MasqueradeOverture, and the intro to Children of the Night. Once Exmortus had the feel down, they settled on expanding on the motifs by forging Viennese sophistication with metal might. Careful observers will hear Exmortus’ clever use of the album’s musical theme throughout its 12-song range. That includes Darkest of Knights and the aforementioned Children of the Night, as well as Necrophony‘s shorter bursts of bravado in Oathbreaker and Beyond the Grave. The most important attributes were, however, vibe and Exmortus‘ careful crafting of their next-gen sonic fingerprint.

Whereas previous albums up through 2018’s The Sound of Steel have been predicated on heroic fantasy/sword & sorcery, Necrophony turns a decidedly darker page. Exmortus have gone from a Conan the Barbarian and Gladiator aesthetic to something blacker, more nefarious as illustrated by the eeriest and evilest Lovecraftian and Tolkien-esque tales. There’s even a classic horror thing happening. This is, of course, a reflection of our immediate world, and the darkness that’s engulfing everything in it.

Exmortus invited Renaissance man Zack Ohren (Fallujah, Immolation) to return as engineer, producer, mixer and mastering ace on Necrophony. Certainly, the team that had cemented the group’s three previous albums into the annals of metaldom was going to work yet again. With Ohren at the helm, Exmortus holed up in Sharkbite Studios in Oakland, CA. Necrophony was fast-tracked in just under two weeks. The result is a clap of virtuosic metal sure to leave fans battered, bloodied, and hungry for more violent opulence.

With OathbreakerMind of Metal and Storm of Strings ringing darkened ears Exmortus‘ paroxysmal ascent to extreme metal’s upper echelons is guaranteed with Necrophony. Bow in reverence to the high-flying, six-stringed dynasts now.


EXMORTUS online:

Official Website